Demogo

The plan-séquence (sequence recording) cinematographic technique based on a continuous long take, represents a conceptual device through which the exhibit interprets a specific architectural research approach.

The lack of coincidence between time of representation and time of experience allows architecture to be read as being structured through a multitude of long shots with a gradual progression of perception. The projects refuse the idea of architecture as a static and complete object, but instead propose an articulate spatiality generated through sequences of moving points of view. Space reveals itself through the shifting of positions of glances which produce a plurality of imagery and relations between them. Context, materials, landscapes and urban fabric do not only function as mere backdrops but become dynamic actors within the architectural experience: conditions that are activated through movement and perception, within the depths of field of architecture, understood as an extension of the gaze across space and time. The exhibition itself is configured as a device in which the viewer becomes an active participant in this process, constructing their own personal plan-séquence.